Spring has sprung and new beginnings abound. I’ve been listening to a few versions of The Hinterhaus master and am chomping at the bit to share this music with you! Look for an official release sometime around September. As a teaser, I hope you enjoy this video of a live, solo performance of the title track at the Kito Theatre and Museum in Bremen, Germany in January:

The Hinterhaus – live at Kito in Bremen, Germany

In the spirit of trying new things and being adventurous, I’ll be joining the talents of Liz Filios and Tara Demmy in a staged reading of a new play by my dear friend Amelia Longo called True Stories. The performance will be at The Painted Bride in Philadelphia this Wednesday, May 2nd, as part of their Bridal Salon Playreading series and is being directed by Alison Garret. Now, friends, it has been a LONG time since I got up on stage to do anything other than sing and play harp, so if you’d like to take the plunge into uncharted waters with me, I’d welcome your company. The show gets started at 7 PM – $5 gets you in the door AND free food AND free booze (yes, please!). True Stories is a memoir performance that tells the story of a woman struggling with the ideas of truth and expectation in a relationship and in love. It drills down into her experiences to explore the idea of multiple perspectives in one individual; taking direction from the line “The true story is vicious and multiple and untrue after all,” in Margaret Atwood’s poem “True Stories,” it is an active search for truth in a world of multiple possible truths.

I’m also thrilled to be a (small) part of the TedxEast conference in New York City on May 11th (eep!), where I’ll performing a few songs for the conference guests and speakers, including, yep, The Roots.

After that it’s off to Europe again where I’ll be playing a few dates in Germany, thrilled to be sharing the stage again with Stefan Honig. German folks, stay tuned, because I’ll be announcing a few more shows (including Berlin!) in the coming weeks as well as an appearance on Balcony TV, Hamburg.

Fresh of the plane, I’ll play the other side of the river in NJ at Barrington Coffee House on June 22nd, and join Karen Gross & Suzie Brown at the Tin Angel on June 30th in a concert to benefit Girls Rock Philly. July sees me at the Princeton Farmers Market and co-billing with Zack DuPont and The Darling Side downstairs at World Cafe Live, Wilmington: The Queen.

If you want to see/hear more from me, please don’t ever hesitate to get in touch with venue suggestions or house concert inquiries. I’d love to play for you this summer.

Much love,

Gillian

I really can’t explain why it’s taken me this long to take a stab at penning a holiday song, but it was easily one of the most fun days I’ve ever spent in the studio. It feels like I waited my *entire* life to put sleigh bells on a record… Many thanks to Helen Leicht for the invitation to participate and to Tim Sonnefeld for squeezing in some last minute studio magic at MilkBoy Recording in Ardmore, PA.

WHEN THE NIGHTS GET LONG

Everybody wants somebody
when the nights get long, the heat turns on
I’m no exception to the rest
with clumsy mittened hands and the best intentions

When Frost, he comes a-painting
all the window panes in tiny slippered feet
oh, he’s a joyful artist like a four year-old
he paints in shapes and whorls
or maybe lacy sutures to mend all the broken hearts

Everybody wants somebody
when the nights get long, the heat turns on
and I’ve been waiting oh so patiently for something right
for sugar and spice and all things very, very nice

the cold it makes us bolder
I’ll just lean on your shoulder since I’m shivering
oh, won’t you please pull me nearer
and we’ll dance to thaw our toes
a snowflake’s on your nose
I guess I better kiss it quick

I don’t have a wishlist
I got too much stuff as it is
don’t worry about packages
because you’re bundled like a present
your scarf’s tied like a bow

Everybody wants somebody
when the nights get long
when the heat turns on
I’m glad you’re with me

NBC Philadelphia Music Box Feature

If you like the video, consider checking out other episodes from the series and sharing your enthusiasm with NBC Philadelphia to ensure that other independent artists can continue being featured! Many thanks to Vincent Gabriel Antonini for producing the series. You can check out lyrics to “The Canonization of Margot Price” and “Back to Your Flat” on the lyrics page!

Much love,
Gillian
gillian[at]gilliangrassie.com

I’m back home for a few weeks after a long time on the road & hard at work finishing up the cover requests that came in for the Kickstarter campaign. I’ll be posting a new one on my YouTube account in a few days & making some big announcements about the new album soon, but in the mean time, enjoy my version of Yo La Tengo’s “Center of Gravity,” requested by some lovely backers (with excellent taste) in Switzerland. That rendition of the Morrowind Theme is still going strong too – it recently broke 58,000 views!

Much love,
Gillian

Ramblers being silly

Before we take off for Ecuador, I wanted to give you all some highlights of our amazing week in Colombia.

BUCARAMANGA

We began our journey in Bucaramanga, where we were met by our effervescent cultural co-ordinater from Bi-National Center, Juliana. We hit the ground running with a workshop at the Escuela Normal Superior with two big classes of enthusiastic (and energetic!) students. We worked off some of that energy by having them jump, walk, run, swim, drive, & ride around the verbs of motion in Old Joe Clark, & then learned some interesting noises for animals in both Colombia & the United States during Old MacDonald. I especially liked learning about the Chiguiro! Also, I’m always excited for the opportunity to showcase my super-realistic chicken sound, cultivated over many afternoons of serious practice as a child. In between the classes, we were offered a refreshing carbonated beverage called Malta that looked for all the world like cola, but tasted like a dead ringer for the milk in your bowl post-Lucky Charms. Brendan, Matt, Jordan, I were reminded of our time in Russia at the end of the class when all the kids rushed us for autographs & facebook contact info.

Jordan strikes a teacherly pose...

We were delighted to discover that the venue for our first public concert was the stunning Casa del Libro Total Museum & were well-received by the audience there. Our program ranged from rousing songs about Union scabbers (“Casey Jones”), to ballads about the hardships of growing up in poverty in the Appalachian Mountains (Ola Bella Reed’s “I’ve Endured” & Gillian Welch’s “Red Clay Halo”), to songs about the railroad (“John Henry”) and the range (“Home on the Range”) and heartache (“East Virginia”), to silly children’s songs (“The Fox”), and examples of “contemporary American folk music” when Brendan, Jordan, & I each take a turn playing original compositions. I also like to throw in a traditional Irish song called “The Blackbird,” which provides a good opportunity to introduce the idea of The United States as a nation of immigrants & talk about the relationship between some of the traditional music in America & that of the British Isles.

sound check at the museum

One of the main ideas behind this project is that, in addition to being a fun way for ESL students to learn through music, we feel that traditional American folk music is a terrific way to share another side of American culture that is perhaps not very well represented by our most pervasive cultural exports (Hollywood films, pop music, MTV, etc). The United States is a vast & complex nation filled with many different people with rich & varied heritage. The stories told in Folk songs are stories about real people, ordinary people, about hardship & joy & suffering & history, & we are as excited about sharing these narratives of American culture with other parts of the world as we are about learning more about the lives & history of our hosts & the students & teachers we encounter.

Matt & Gillian ramble through the streets of Bucaramanga

One of the ways that we like to explore new cultures is through food! Brendan in particular has made it his mission to taste every local specialty cuisine he encounters, which is how we came to sit around a small plastic table, contemplating a bag of fried ants. The ants were much larger than any I’d ever seen – each abdomen section about the size of a small pea – and (I can personally report) are crunchy, salty, & not altogether unpleasant save for the disturbingly tangible legs, which got stuck between my teeth.

[youtube http://www.youtube.com/watch?v=9dvFXwcT4uo&w=425&h=349]

After two wonderful, busy days that ended too soon, we packed our bags once again & caught a flight back to Bogota & then to Pereira (interesting fact: we will pass through the Bogota airport three times on this trip without ever actually seeing the capital city itself! Guess that means we’ll have to come back soon for a proper visit). Next update: Pereira!

revisiting a favorite Russian card game

Thank you all so much for supporting independent music & the dreams of one little harpist/singer-songwriter.

I am so full of gratitude for each & every one of the 179 incredibly generous backers who pledged to bring this project into the world. Feeling very infinite & small tonight. What an amazing journey this has been!

Tomorrow morning, I catch an early plane bound for Bogota, marking the start of another adventure as I tour with the ESL Folk Project through Colombia, Peru, & Ecuador. Keep an eye on my blog for updates from my travels abroad. I’ll be posting more updates through Kickstarter to keep my backers abreast of the album’s progress over the next few months. I think that by the end of all this, we will have created together something very fine indeed.

But for now, it’s time to finally exhale. And perhaps have a glass of wine on the front door steps. And maybe write a new song.

With love,

Gillian

morning run by the golden gate bridge

I’ve been staying with some friends in Outer Richmond this past week to rehearse with the ESL Folk Project in preparation for our tour in South America. I met Matt, Brendan, & Jordan last summer in Tomsk where we began our first tour, bringing a special program using American Folk music as a cultural supplement for students learning English in Russia. The U.S. State Department loved the project so much, they decided to fund us again for a month-long tour in Colombia, Peru, & Ecuador. It’s the first time that we’ve all been together since Ufa last summer & the reunion has been sweet indeed. Tomorrow morning we’ll catch an early flight to Bogata the adventure begins! We expect to be doing some blogging updates from the road, but I don’t know how regular our internet access will be, so I wanted to write a little post sharing some of the highlights of my past couple weeks in California.

Oh, hey there, Hollywood

I flew to Los Angeles on April 29th to visit my dear friend Rosy, who had generously offered to host a house concert for me. We spent the weekend cooking & then celebrated May Day with music, a feast featuring dishes from all the countries I’ll be visiting on the ESL Folk tour, & over a hundred guests.

That there's 70lbs of onions. I cried.

On Monday, fellow Fellow Ted & I visited the Caltech campus to talk about our recent experiences as Thomas J. Watson Fellows on a panel for prospective applicants. Here’s hoping one of their many intriguing proposal ideas gets funded next year! We drove down to San Diego & spent a couple days learning ridiculous covers on harp & guitar, playing them for dear distant friends on Skype, & sampling the finest fish taco stands in the city. Ted also treated me with a breakfast of matzo brie, which is kind of like Jewish French toast (and totally delicious).

Ted! You made Matzo Brie!

I took the train up from SD back to LA (and, as always when traveling public transit with my harp, talked to lots of curious strangers) & then caught a rideshare to San Francisco with a woman who managed to fit me, my harp (in flight crate), & a young australian woman fresh from the airport into her Prius! I was dropped off in the Lower Pacific Heights neighborhood just in time to play another house concert for a super fun audience featuring a surprising number of AmeriCorps volunteers. By midnight, I’d made my weary way to Outer Richmond where the ESL Folk Project has been living & rehearsing this past week.

Brendan, Matt, & Jordan

We’ve been working hard, logging several 9 hour days of solid rehearsal, learning lots of new material & lesson plans for the students we are *super* excited to meet in Peru, Colombia, & Ecuador. This time around, the U.S. State Department is organizing several large public concerts in addition to our schedule with the schools, so we’ve put together an entirely new program! Some of my favorites to learn have been John Henry, Red Clay Halo, Old Joe Clark, In the Pines, & Casey Jones.

lots of lyrics-learning...

In our spare time, we’ve managed to share several delicious meals (Jordan’s a wizard with a cast iron skillet) & visit the Sutro Baths, a 19th Century swimming facility that now lies in ruins on the Pacific Coast, not far from the house where we’ve been staying. When not making a hootenanny in the living room with the guys, I’ve also been learning cover song requests from a kickstarter campaign for my next solo album, locking myself in the (acoustically pleasing & quiet) bathroom to make iMovie recordings, & posting them on YouTube. One of the covers, a version of The Elder Scrolls III: Morrowind Theme on harp, was picked up by the online gaming community & went viral, making this one of the most viewed bathrooms in San Francisco! Big love & thanks to Reddit.com, RipTen.com, Kotaku.com, The Elder Scrolls facebook & twitter feeds, bit-tech.net, & thousands of individuals for spreading the video like wildfire. I stayed up late last night learning the Ultima Online Theme (which was one of the earliest follow-up requests from Reddit.com) & posted it on YouTube this morning as a gesture of my deep gratitude for the outpouring of support that’s come from the gaming community over the past few days.

over 42,000 people have seen this bathroom!

We’ve already started getting some press coverage in South America, like this article: Ramblin’ Across the Andes.. Time to get back to packing – looking forward to sharing our stories from the road!

Much love,
-Gillian

sorry, Pickles, you can't come...

P.S. My next concerts in the U.S. will be on Monday, June 13th at the Rockwood Music Hall in NYC & Saturday, June 18th at the Tin Angel in Philadelphia. The Tin Angel shows have been selling out, so if you’re interested in coming, be sure to reserve your tickets in advance!

On May 1st, the kickstarter campaign passed its $10,000 goal, covering the costs of professional radio promotion when The Hinter Haus is released. Yesterday, you exceeded expectations again by pushing me over the $12,000 mark & additionally securing a publicist! If we reach $15,000 by the close of funding at 11 PM EST on May 14th, I’ve promised to run pressings of the album in both CD & Vinyl format.

There are now 124 unbelievably generous & amazing backers involved in this project who are living in the United States, Canada, Switzerland, Senegal, China, France, Ireland, Italy, Sri Lanka, & Australia! It’s incredibly exciting to me that these songs, which were conceived during a time of international travel & exploration, are now receiving support from people in so many parts of the world.

I started posting the YouTube cover requests that have come through on the campaign this week. One of them – an adaptation of The Elder Scrolls Morrowind Theme – has gone viral with over 18,000 hits in its first day! There is a new, soft, warm place in my heart reserved for the RPG community. Thanks to Mike, Reddit.com, RipTen.com, & the Elder Scrolls fb & twitter pages for passing the video around!

Please continue sharing this project with your friends by posting the kickstarter link on your facebook wall, twitter feed, blog, or e-mail list. If you’ve already done this & haven’t yet received your copy of “Borrowed or Begged,” please just give me a heads up on facebook, twitter, or at gillian [at] gilliangrassie.com & I’ll send you the download link.

As excited as I am by the ambitious figure we’ve managed to raise together, it’s important to remember that this campaign is not only about fundraising, but also reaching new listeners. Every friend you share this with is another potential fan, which is every bit as valuable to me as each dollar contributed to this project.

It is thrilling (and a little overwhelming) to have had such a positive response to this record so quickly.

Thank you, thank you, thank you!

Love,
Gillian

I’m still picking up the pieces of my mind that were blown to tiny bits yesterday when we exceeded the $8000 goal in the first five days of fundraising – unbelievable. I made this video to explain what happens next. The kickstarter campaign will continue running until May 14th & I’ve outlined some new goals for this project.

If we reach $10,000, I can afford to hire a radio promoter to get the new album on airwaves across the country once it’s released. Another $2,000 would cover the cost of hiring a publicist for a professional PR campaign. If we make it all the way to $15,000 by May 14th, I will press the album in both CD & 12″ Vinyl formats & anyone who’s contributed $25 or more to this project can choose which version they’d like to receive. Backers who opt for the CD or the vinyl will also get a digital download version of the album, so your iPod’s earbuds need not fear.

I’m also working on adding some other new incentives to the campaign, like exclusive video updates from inside the studio for backers only. Please keep spreading the word about this project – let’s see what we can do!

So much love & gratitude for you all,

Gillian